Church

St Mary the Virgin, Wellingborough

St Mary the Virgin, Wellingborough

St Mary the Virgin is a Grade I parish church on Knox Road, Wellingborough, Northamptonshire, in the Diocese of Peterborough. It is among the few twentieth-century churches listed at Grade I.

Location
Wellingborough, Northamptonshire
Country
England
County
Northamptonshire
City / town
Wellingborough
Address
Knox Road, Wellingborough, Northamptonshire, NN8 1HJ
Postcode
NN8 1HJ
Built
1908–30
Architect
Sir Ninian Comper
Denomination
Church of England
Dedication
Mary
Diocese
Peterborough
Parish
St Mary the Virgin, Wellingborough
Grade
I
Style
Perpendicular Gothic
Materials
Ironstone ashlar with limestone dressings and lead roof
Grid reference
SP 901 680
Opening hours
The church is not usually kept open, so in order to avoid disappointment please contact us before your visit. Church Guide : Jackie Cartwright 01933 226197 Honorary Assistant Priest : Fr Alan Cole 01933 274650 or [email protected] Churchwarden : Carol Haybyrne 07759 591673 or [email protected] Keys are also usually available at 30 St Mary's Paddock, or from the Vicarage at 193 Midland Road.
Access
Accessible toilets nearby. Level access to the main areas

Overview

Historic England records a church of 1908 to 1930 by Sir Ninian Comper, in ironstone ashlar with limestone dressings and a lead roof: aisled nave and chancel, north and south chapels, north porch and west tower, all in Perpendicular style. The east window has reticulated tracery. The interior has an eight-bay arcade and a fine plaster lierne vault with pendants, partly painted blue and gold. Comper designed all interior and exterior details.

The Northamptonshire Historic Environment Record notes that St Mary’s parish was formed by Order in Council on 12 December 1904 from All Saints, and that building was completed by 1924. Financing was largely due to the Misses Sharman of Wellingborough. Wikipedia records Anglo-Catholic churchmanship and influence from the Oxford Movement. Comper described the interior as uniting many European styles within a Perpendicular frame — his idea of “unity by inclusion”.

Further Information